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Dominant seventh chord in the major scale contains diminished triad of the seventh?
Announcing the arrival of Valued Associate #679: Cesar Manara
Planned maintenance scheduled April 17/18, 2019 at 00:00UTC (8:00pm US/Eastern)Why does the dominant lead to the tonic?What scales can I play over a A 13 flat ninth chord?Confused about diminished chordsWhy do many songs in major keys use a bVII chord?How is a secondary dominant used for modulation?I would like to know few things about chord progressionTriads with thirds that aren't major or minor?Why the specific pattern of white keys on a standard piano?Why do we only build 7th chords on the supertonic and dominant of a major scale?Determining the seventh chords of a keyIs Locrian a minor mode or is it a diminished mode?
The seventh chord built on the fifth step of the scale (the dominant seventh) is the only dominant seventh chord available in the major scale: it contains all three notes of the diminished triad of the seventh and is frequently used as a stronger substitute for it.
What does this mean?
Especially "diminished triad of the seventh"?
theory chords
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The seventh chord built on the fifth step of the scale (the dominant seventh) is the only dominant seventh chord available in the major scale: it contains all three notes of the diminished triad of the seventh and is frequently used as a stronger substitute for it.
What does this mean?
Especially "diminished triad of the seventh"?
theory chords
add a comment |
The seventh chord built on the fifth step of the scale (the dominant seventh) is the only dominant seventh chord available in the major scale: it contains all three notes of the diminished triad of the seventh and is frequently used as a stronger substitute for it.
What does this mean?
Especially "diminished triad of the seventh"?
theory chords
The seventh chord built on the fifth step of the scale (the dominant seventh) is the only dominant seventh chord available in the major scale: it contains all three notes of the diminished triad of the seventh and is frequently used as a stronger substitute for it.
What does this mean?
Especially "diminished triad of the seventh"?
theory chords
theory chords
edited 24 mins ago
Aaron Hall
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1496
asked 5 hours ago
stupr instupr in
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514
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2 Answers
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"Dominant seventh" is a shorthand for what others call a "major-minor seventh," meaning a major triad with a minor seventh on top.
If we take all notes of a major scale and create seventh chords on top of them using only the notes of that major scale, only one of these seventh chords will be a major-minor ("dominant") seventh: that built on scale-degree 5 of the major scale. Scale-degree 5 is called the "dominant," hence the term "dominant seventh."
When this text says "diminished triad of the seventh," the writer is being a little loose with their terminology. It should say "diminished triad of the seventh scale degree," because the triad built on top of that seventh scale degree is a diminished triad. And that same diminished triad is the third, fifth, and seventh of the dominant seventh chord built on scale-degree 5.
In C major, scale-degree 5 is G and scale-degree 7 is B. The seventh chord on G is G B D F
(a major triad G B D
with a minor seventh G F
), and it includes the diminished triad built on scale-degree 7: B D F
.
add a comment |
We call the resolution stronger because the V7 chord is much more directional (the vii°7 chord, which would be the diminished seventh chord, is symmetrical and ambiguous). There are other reasons, and as further reading, this post does a good job explaining this resolution's strengths.
Thank you. Will read about it.
– stupr in
4 hours ago
add a comment |
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2 Answers
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"Dominant seventh" is a shorthand for what others call a "major-minor seventh," meaning a major triad with a minor seventh on top.
If we take all notes of a major scale and create seventh chords on top of them using only the notes of that major scale, only one of these seventh chords will be a major-minor ("dominant") seventh: that built on scale-degree 5 of the major scale. Scale-degree 5 is called the "dominant," hence the term "dominant seventh."
When this text says "diminished triad of the seventh," the writer is being a little loose with their terminology. It should say "diminished triad of the seventh scale degree," because the triad built on top of that seventh scale degree is a diminished triad. And that same diminished triad is the third, fifth, and seventh of the dominant seventh chord built on scale-degree 5.
In C major, scale-degree 5 is G and scale-degree 7 is B. The seventh chord on G is G B D F
(a major triad G B D
with a minor seventh G F
), and it includes the diminished triad built on scale-degree 7: B D F
.
add a comment |
"Dominant seventh" is a shorthand for what others call a "major-minor seventh," meaning a major triad with a minor seventh on top.
If we take all notes of a major scale and create seventh chords on top of them using only the notes of that major scale, only one of these seventh chords will be a major-minor ("dominant") seventh: that built on scale-degree 5 of the major scale. Scale-degree 5 is called the "dominant," hence the term "dominant seventh."
When this text says "diminished triad of the seventh," the writer is being a little loose with their terminology. It should say "diminished triad of the seventh scale degree," because the triad built on top of that seventh scale degree is a diminished triad. And that same diminished triad is the third, fifth, and seventh of the dominant seventh chord built on scale-degree 5.
In C major, scale-degree 5 is G and scale-degree 7 is B. The seventh chord on G is G B D F
(a major triad G B D
with a minor seventh G F
), and it includes the diminished triad built on scale-degree 7: B D F
.
add a comment |
"Dominant seventh" is a shorthand for what others call a "major-minor seventh," meaning a major triad with a minor seventh on top.
If we take all notes of a major scale and create seventh chords on top of them using only the notes of that major scale, only one of these seventh chords will be a major-minor ("dominant") seventh: that built on scale-degree 5 of the major scale. Scale-degree 5 is called the "dominant," hence the term "dominant seventh."
When this text says "diminished triad of the seventh," the writer is being a little loose with their terminology. It should say "diminished triad of the seventh scale degree," because the triad built on top of that seventh scale degree is a diminished triad. And that same diminished triad is the third, fifth, and seventh of the dominant seventh chord built on scale-degree 5.
In C major, scale-degree 5 is G and scale-degree 7 is B. The seventh chord on G is G B D F
(a major triad G B D
with a minor seventh G F
), and it includes the diminished triad built on scale-degree 7: B D F
.
"Dominant seventh" is a shorthand for what others call a "major-minor seventh," meaning a major triad with a minor seventh on top.
If we take all notes of a major scale and create seventh chords on top of them using only the notes of that major scale, only one of these seventh chords will be a major-minor ("dominant") seventh: that built on scale-degree 5 of the major scale. Scale-degree 5 is called the "dominant," hence the term "dominant seventh."
When this text says "diminished triad of the seventh," the writer is being a little loose with their terminology. It should say "diminished triad of the seventh scale degree," because the triad built on top of that seventh scale degree is a diminished triad. And that same diminished triad is the third, fifth, and seventh of the dominant seventh chord built on scale-degree 5.
In C major, scale-degree 5 is G and scale-degree 7 is B. The seventh chord on G is G B D F
(a major triad G B D
with a minor seventh G F
), and it includes the diminished triad built on scale-degree 7: B D F
.
answered 5 hours ago
RichardRichard
46k7110196
46k7110196
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We call the resolution stronger because the V7 chord is much more directional (the vii°7 chord, which would be the diminished seventh chord, is symmetrical and ambiguous). There are other reasons, and as further reading, this post does a good job explaining this resolution's strengths.
Thank you. Will read about it.
– stupr in
4 hours ago
add a comment |
We call the resolution stronger because the V7 chord is much more directional (the vii°7 chord, which would be the diminished seventh chord, is symmetrical and ambiguous). There are other reasons, and as further reading, this post does a good job explaining this resolution's strengths.
Thank you. Will read about it.
– stupr in
4 hours ago
add a comment |
We call the resolution stronger because the V7 chord is much more directional (the vii°7 chord, which would be the diminished seventh chord, is symmetrical and ambiguous). There are other reasons, and as further reading, this post does a good job explaining this resolution's strengths.
We call the resolution stronger because the V7 chord is much more directional (the vii°7 chord, which would be the diminished seventh chord, is symmetrical and ambiguous). There are other reasons, and as further reading, this post does a good job explaining this resolution's strengths.
answered 4 hours ago
user45266user45266
4,2231835
4,2231835
Thank you. Will read about it.
– stupr in
4 hours ago
add a comment |
Thank you. Will read about it.
– stupr in
4 hours ago
Thank you. Will read about it.
– stupr in
4 hours ago
Thank you. Will read about it.
– stupr in
4 hours ago
add a comment |
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